1975-March-24

Peter Frampton		Live In San Francisco:  March 24, 1975

KSAN Studio		San Francisco, CA


Disc 1  -  57.25
1	Introduction			  .28
2	Wind Of Change			 3.07
3	Baby, I Love Your Way		 4.55
4	Somethin's Happening		 4.39
5	Days Dawning			 3.48
6	Lines On My Face		 6.27
7	Doobie Wah			 5.00
8	It's A Plain Shame		 3.47
9	I Wanna Go To The Sun		 6.43
10	(I'll Give You) Money		 5.24
11	Do You Feel Like We Do		12.06
12	Closing				  .56




Notes about this recording from Hip-O Select site:

CD Edition limited to 15,000 non-numbered limited edition copies.

It was March of 1975 when Peter Frampton strolled into the Record Plant 
is Sausalito to record what would become a live solo album. It wasn’t 
originally intended as anything more than a radio show, a thank-you to KSAN 
and the rock fans of San Francisco, both of whom had made the Bay Area 
Frampton’s biggest market. After leaving Humble Pie, Frampton had a 
respectable career as a solo artist, but his name was far from being a 
household word. That would all change in a few months.

For this set, Frampton drew from under-exposed material scattered across 
his four solo albums, songs that he and his band had honed into razor-sharp 
performances over years of incessant touring. They later became staples of 
virtually every rock station in America: "Do You Feel Like We Do", 
"Baby I Love Your Way", "(I’ll Give You) Money".

Frampton was accompanied by Bob Mayo, Andy Bown, and John Siomos, 
three-quarters of band that would propel Frampton Comes Alive to the top 
of the charts (Andy Bown was replaced by Stanley Sheldon). The performances 
captured at the Record Plant on that March day have an intimacy that wasn’t 
replicated on Comes Alive for obvious reasons, but they absolutely have that 
same electric energy.

Peter Frampton’s golden era may not have lasted as long as one might have 
hoped; they never do. This long-lost session is a glorious relic of the brief 
shining moment just as the rollercoaster was about to take Frampton on a 
ride he could never have imagined.

Longtime Bay Area critic Joel Selvin contributed notes to this record, and 
the release was remastered from the original master tapes by Suha Gur in 2004. 
Frampton himself has been involved in every phase of the project, and is as 
ebullient over the record's release as we are.

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